江戸絵画のラスボス・円山応挙！2016年その全貌を根津美術館で知る

Popular No1 in the Edo Period = Maruyama Hitsaku!

With Jakuchu, Kiichi, Hakuin, Sengai, Hokusai, this year Edo painting is widely used not only in the art world but also in the world. The

Under the influence of various exhibitions, a number of Edo painters have come to the fore, but one of the most popular during the Edo period was Maruyama Okyo.

Ever since he first appeared at the age of 36 in the painter section of the celebrity record “Heian Bo Zhi” at that time, he has been protecting the No. 1 seat for a long time, and even the famous painters active in the same era can not beat them. It was popular.

A special exhibition of the 75th anniversary of the opening of the museum. Enzan's writing "Fujika Zu style" (left side) from the Enzan Enjok "Sakio" (left) Important cultural property Japan-Edo period Yasunaga 5 (1776) The painted rattan picture is drawn rough at first glance with the technique of "applying" the stems and branches, while the shade of controlled ink expresses a three-dimensional effect. The expression of a novel flower bunch with superimposed white, blue and purple paints is like an impressionist of Western Europe.

Las boss in 2016 blessed with Edo painting

The Nezu Museum of Art , which represents the life of the Maruyama Enoki, will decorate this year's Toshio, a year when Edo painting has attracted much attention. Special exhibition of the 75th anniversary of the opening of the museum. ※ The session has ended.

As the strongest boss character appearing at the end of the game these days is called 〝ラ ス〟 〟, Maruyama enshroud is just the Rase boss of Edo painting! Many of the masterpieces of Osho are full of depth, interest, and beauty that are attracted as you know.

A special exhibition of the 75th anniversary of the opening of the museum The Enzan pens "Snow pine sketch screen" (right) since Enzan Maru "Sakio", National treasure Japan, Edo period Tenmei 6 (1786) 3 to 11/27 Exhibition] A pair of folding screens where old and young pines stand as a fence. By drawing a pine leaf on the ground of the paper left in white, it is expressed to the feeling of the volume of soft snow piled up on a pine. The gold mud behind the pine expresses the atmosphere filled with sunlight, and the gold sand that is buried at the bottom of the screen reflects the light reflected by the snow.

Until the apprentice born to the farmer becomes a popular artist

Maruyama Osuke was born in Kyobo (1733) as the second son of a farmer in Tanabakuni (Anoo Village, now Kameoka City, Kyoto Prefecture), and was sent to Kyoto to be sent to Honsho (Hokko). You In the late teens, the apprenticeship of Yuko Ishida, a painter of the Tsurusawa School who watches the flow of the Kano school, learns the basics of his work there. In addition, I am involved in the production of the traditional "glasses" from the West and learn not only the original drawing but also classical and Chinese paintings. The new style of painting based on the "draft" created in this way revolutionized the history of Japanese painting and gained enormous popularity.

A special exhibition of the 75th anniversary of the opening of the museum. Enzan writings "Kuron-daku-zuku" (left) from Enjo Engraving "Sugao" beyond the "Sugao" Important cultural property Japan-Edo period Yasunaga 2 (1773) ~ 12/18 Exhibition】 The visual volume that seems to be grasping and the mysterious freshness of the epidermis give an overwhelming presence to fictional animals. The screen filled with clouds drawn with full use of ink strokes and blurs is warm and breathtaking.

Special exhibition of the 75th anniversary of the opening of the museum. Enyama pensed from "Sakio" by Enzan Maru "Saju" 7 out of 3 volumes of "Sanishi Seven Lucky fortunes Volume" Important cultural property Japan-Edo era Meiwa 5 (1768) Aikoku temple store There is a change of volume] A picture scroll created for the purpose of promoting faith and good deeds to the Buddha by drawing realistically the seven troubles (Shichinan) and Shichifuku (Shichifuku) described in the scriptures. The first volume depicting natural disasters and the second volume depicting human disasters constitute a figure of a mourning, and the second volume is a figure of 〝. There is a disastrous expression in the middle volume that puts a eye on the eyes, but it is also an important work in the art of the recitation of the various aspects of human and nature.

The point of attention of the samurai beyond the 〝circle 応" 「生"

The enthusiasm of "Sensei" is supported by extraordinary and versatile techniques. However, in recent years, there are many cases where the multifaceted nature of the arrangement, the background of the work world, can not be grasped only by the words of sketches or sketches.

Because of that, the special exhibition of the 75th anniversary of the opening of the museum The works of the young day with various possibilities beyond the enthusiasm of Enzan Maru "Student", works with traces of painting learning, and works that are detailed and appreciated Exhibited excellent sketches. While always cherishing "Sakio", what was the one beyond the goal of the match? That can be seen through the exhibition.