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最新号紹介

4,5月号2026.02.28発売

美の都・京都で出合う うるわし、工藝

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Craftsmanship

2026.03.07

So Welcoming Even First-Timers Feel at Home: Visiting Kyoto’s Renowned Antique Shop “Daikichi” with Popular Stylist Chizu 【Handcrafted Kyoto】

We visited four distinct types of antique shops with stylist chizu, a pioneer of interior styling. Discover her unique approach to selecting pieces and don’t miss the spontaneous styling moments that bring these finds to life.

A place you’ll find yourself wanting to visit again and again during your stay! Daikichi, an antique shop where even beginners feel at home

“Actually, the very first antique shop I ever visited in Kyoto was Daikichi (大吉),” says chizu. This was over 20 years ago, during the era of the father of the current owner, Sugimoto Osamu.

“I wasn’t familiar with antiques at all, let alone those in Kyoto… (laughs). I remember opening the sliding front door with great trepidation. His father was a ceramic artist… Oh, this must be one of his,” she says, looking delighted to find a tea bowl by the predecessor, Sugimoto Tatsuo [art name Deigyu (泥牛)], on the display shelf.

“I’m captivated by the meeting of a timeless, traditional eye and an edgy creative instinct” (chizu)

Left / “When I first came, I bought a few small items like mamezara (豆皿) tiny plates, which I still have today,” says chizu. This yunomi (湯吞み) teacup is the work of Sugimoto Tatsuo. Right / The shop is run by a husband and wife. The way his wife, Yoko, selects and arranges flowers is also a wonderful reference.

It was in 1989 that Mr Sugimoto, who had been running a kappo (割烹) restaurant while creating ceramics, transitioned the business into an antique shop specialising primarily in Koimari (古伊万里). Osamu, who inherited the shop, had been studying in San Francisco, but upon returning to Japan, he immediately joined his father, driven by a desire to “work with antiques.” Today’s Daikichi is a fusion of Osamu’s personal tastes in design and music with the world of antiques from all times and places, centred around tableware.

“Please ask us anything. It makes us happy, too” (Mr Sugimoto)

Left / The koagari (小上がり) raised flooring area also serves as a display space. Right / chizu (left) and Sugimoto Osamu. On the shelves behind them are bowls and ochoko (お猪口) sake cups, primarily in sometsuke (染付) blue and white porcelain.

“Since I love drinking, I suppose there are many vessels that can be used as shuki (酒器) sake ware. I am still learning myself, but please feel free to ask anything. We’re just happy to be able to talk about the pieces with others” says Mr Sugimoto. This openness is reflected in the selection and special exhibitions, which is likely why young people and absolute beginners—just as chizu once was—can feel at ease here.

There are textures that make the heart flutter

Left / There is a show window next to the entrance facing Teramachi-dori (寺町通). Right / chizu is holding an Imari-style piece fired in Seto (瀬戸) between the end of the Edo period and the early Meiji period. As the tactile sensation varies for everyone, shopping at a physical store where you can verify how it feels in your hands is always a joy.

chizu’s select: The era, the origin, and the technique. The more you know, the more you fall in love

“I have a selection of sometsuke (染付)—classic blue-and-white porcelain—including choko (猪口 small sake cups) and rice bowls, perfect for tea time, mealtime, or enjoying sake.

In the late Edo period, Seto ware was overshadowed by the more famous Imari porcelain, but I find it quite admirable that they boldly decided to produce Seto ware with an Imari taste (laughs). I am told that because the clay in Seto ware is white, the contrast with the indigo blue is beautiful. It is wonderful to learn about such things on my visits to the shop,” says chizu.

Left / From top left, clockwise: 8,000 yen, 6,000 yen, 2,500 yen; small plate with a sailing boat pattern 4,000 yen; very small mamezara 4,000 yen. These date from the late Edo to the Meiji period. Right / A hirawan (平碗) flat bowl (10,000 yen) depicting clouds drifting across the body and a dragon with a sacred gem in the centre. “I feel as though the creator’s overflowing skill is evident here,” she says—a piece that captured chizu’s heart.

【profile】chizu
Born in Kyushu in 1955. Stylist. A pioneer of styling focused on food and interiors. She is also involved in shop and product development. Her publications include Watashi o Gutto Suteki ni Miseru Otona no Oshare no Hitosaji (私をぐっと素敵に見せる大人のおしゃれのひとさじ) (PHP Institute).

As the business was converted into an antique shop from the original kappo restaurant premises, the atmosphere of an eatery still remains today.

Daikichi (大吉)

Address: 452 Myomanjimae-cho, Teramachi-dori Nijo-sagaru, Nakagyo-ku, Kyoto-shi, Kyoto
Telephone: 075-231-2446
Opening hours: 11:30 – 16:00
Closed: Mondays

*This article is a reprint from the magazine Waraku (和樂) (April/May 2024 issue).
*All listed prices include tax. Prices and opening hours are subject to change; please check before visiting.

This article is translated from https://intojapanwaraku.com/craftsmanship/247882/

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最新号紹介

4,5月号2026.02.28発売

美の都・京都で出合う うるわし、工藝

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